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Sunday, March 16 • 1:00am - 1:30am

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From San Francisco, via Boston, comes Wildildlife, formed in 2005. Opening with a hushed soundscape of record crackle, a swirl of hiss and static and pops, underpinning thick bass thrums that shimmer like black clouds, while above this low end miasma hover simple muted guitars and huge drums way up in the mix (where they belong). Suddenly the sound is some sort of abstract slowcore indie doom, with beautiful drifting melodies, lugubrious tempos, all beneath a simple caveman plod and clouds of little effected guitar squiggles. The song eventually erupts into a massive downtuned crunch, thick waves of detuned riffage pile up beneath howled Stooges-y vocals wrapped in thick swaths of reverb, swaggering over the slippery tarpit dirge underneath. The song ends in a flurry of gorgeous harmonics, with shimmery distant angelic vocals, and strange dynamic shifts all tangled up with shards of angular jagged high end scrape and skree. Phew, and that's just the first song. After a brief interlude, a strange cloud of ambient clatter, made up of blurred bits of fuzz and hiss, clockwork like rhythms as well as distant booming percussion, the band launch back into the rock, with a muted angular groove, not unlike Sonic Youth or Blonde Redhead with dense reverby guitars and simple tribal rhythms that build into a lurching sea sick stumble, with distorted shrieked vocals, swirls of feedback and moaning guitar wail before winding back down into a swirling dense coda of wild drumming and tangled squalls of blown out psych guitar. The final track is a spare slab of creepy disembodied folk, thick stabs of tangled steel string dissonance wrapped in a bleak doomy ambience. A slow creeping monotone strum, with simple percussion and snarly vocals. The whole thing very sun baked with lots of reverb, a wild and clattery, Jandekian dirge folk work out that manages to be strangely epic and majestic.

Sunday March 16, 2008 1:00am - 1:30am
The Tap Room at Six 117 W 4th St

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