The climate for documentary distribution is at an unusual crossroads. Some documentaries are performing better than ever, but many are having a tough time getting space in theaters or attention by the media. Is that true of docs in general, or just theatrical engagements? How is this changing the landscape of the ways in which docs are bought, sold, or even produced?
http://2008.sxsw.com/film/conference/panels_schedule/?action=show&id=FP060182
